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Seymour Duncan
guitar pickups
Seymour
Duncan guitar pickups are at the lowest prices at DC Music.
We carry a wide selection if Seymour Duncan guitar pickups
and are happy to assist you with your Seymour Duncan guitar
pickup questions.
Seymour
Duncan guitar pickups
Seymour
Duncan pickup SH4 JB Model black
Super harmonics, with high output that doesn't sound hard
or dark.
Seymour
Duncan pickup SFX-01 pickup booster
The first effects pedal designed specifically to work together
with the pickups in your instrument to achieve optimum gain
and resonance for all your tonal applications.
Seymour
Duncan pickup SH-13 Dimebucker
The Dimebucker uses a powerful ceramic magnet coupled with
stainless steel blades for boot kickin’ attitude.
Seymour
Duncan pickup SA-3SC Woody single coil
This is a simple and affordable pop-in soundhole pickup with
a single coil design and a slim body profile.
Seymour
Duncan pickup SH-1N 59 model neck black
Late-‘50s, vintage-correct, humbucker sound. Warm and
crystalline clean tones. Full and bright distorted tones.
Smooth sustain. Classic appointments include plain enamel
wire, long legged bottom plate, vintage single conductor cable
and no logo.
Seymour Duncan pickup SPB-3 Quarter pound bass
The quarter-inch diameter pole pieces expand the magnetic
field and
extend the frequency ranges for fat, full, punchy sound with
tremendous mid-range presence and maximum output.
Seymour
Duncan pickup SH-8b Invader bridge black
The combination of three large ceramic magnets, hot coils
and twelve black oxide cap screws give this awesome pickup
bolts of volts for an electrifying force of energy.
Seymour Duncan pickup SH-6b Duncan
distortion bridge black
Gives high output while retaining clarity. A massive ceramic
magnet and hot symmetrical coils give tight punch lows and
a searing high end.
Seymour Duncan pickup SHR-1b Strat hot rails bridge black
or white
One of the highest output and most popular pickups we make.
The two thin blades, strong ceramic magnet and powerful coil
windings give you the incredible sustain and a fat, full sound
that’s needed for playing heavier rock music
Seymour Duncan pickup SJBJ-1b 59 model bridge black
The JB Jr.'s twin coil design gives you the great balanced
tone of the popular JB model humbucker in a single coil size
to fit Strat-size guitars.
Seymour Duncan pickup SJBJ-1b JB Jr. bridge
for strat black
This twin coil design pickup gives you the character of our
popular JB™ model humbucker in a single-coil size. Its
adjustable pole pieces more closely emulate the magnetic field
of a full size humbucker and allow you to fine tune the balance
of your strings.
Seymour Duncan pickup SPH90-1b Phat cat bridge
nickel cover
Originally developed in the Custom Shop for Hamer® Guitars,
a Phat Cat is an actual single-coil P-90 Soapbar that fits
under a humbucker cover and drops into humbucker-equipped
guitars. The tone is big and fat, er, phat. It uses two Alnico
2 magnets for more sustain and softer attack.
Seymour Duncan pickup SH-12 Screamin demon black
This pickup was designed in the Custom Shop for guitar legend
George Lynch. It has the big open sound of our ‘59 ModelTM
with a little less bite and a little more growl. The tone
is big, percussive with a defined treble response that doesn’t
get harsh.
Seymour Duncan pickup SHR-1n Strat hot rails neck black
Late-‘50s, vintage-correct, humbucker sound. Warm and
crystalline clean tones. Full and bright distorted tones.
Smooth sustain. Classic appointments include plain enamel
wire, long legged bottom plate, vintage single conductor cable
and no logo. Compared to the SH-55 Seth Lover, the ’59
has slightly more scooped mids and is vacuum wax potted for
squeal-free performance.
Seymour Duncan pickup STHR-1b Hot rails bridge for tele
Delivers a fat, full sound with incredible output. The powerful
ceramic magnet, two steel blades and over-wound coils all
combine to provide a heavy, raw, distorted tone with incredible
sustain. Compared to the Little ‘59, Hot Rails has more
output and a chunkier mid-range. Comes in black only with
four-conductor cable.
Seymour Duncan pickup SL59-1b Little 59 bridge for strat white
This little brute was designed to impart the warm, smooth
tone of an old Patent Applied For humbucker in a direct replacement,
single-coil size. It possesses an even, dynamic response,
and its adjustable pole pieces allow the guitarist to fine
tune the string balance and dial in just the right amount
of punch.
Seymour Duncan pickup ST59-1 Little 59 lead for
tele black
This lead pickup is a hybrid. Designed for the Telecaster®
player who wants to rock, this little beast delivers a warm,
smooth tone, reminiscent of an old ‘59 Patent Applied
For humbucker mixed together with a healthy dose of beefed
up twang. Comes in black only with four-conductor cable.
Seymour Duncan pickup SA-3HC Woody hum canceling
Moderate output, instant-mount, hum canceling pickup housed
in maple cover and double potted. The tone is warm and rich
with no 60-cycle hum. Great for strumming and delicate fingerstyle
playing. Includes studio-quality 14’ cable.
Seymour Duncan pickup SHPG-1b Pearly gates bridge
black
Originally designed as a recreation of the pickups in the
’59 Les Paul® Standard that defined the raw, rebellious
sound of Texas blues-rock. The Pearly Gates is sweet, but
slightly rude, with great sustain and a bright top end that
make harmonics jump out of the guitar. Comes with four-conductor
hookup cable.
Seymour
Duncan pickup SA-1 Acoustic tube
For true acoustic response and natural sound. Stack® hum-canceling
design. Extremely feedback resistant. Plugs straight into
various mixers, amps, PAs. Volume knob on pickup in easy reach
for changing volume during performance. A breeze to install.
For use with bronze-wound strings.
Seymour
Duncan - click here for the to view all
About the Seymour
Duncan company
After 25 years,
Seymour Duncan company manufactures much more than electric
guitar pickups. The finest in bass pickups under the brand
name "Basslines" were next, then Seymour's authentic
replications of pickups from the 50's and 60's, aptly named
Antiquity and Antiquity II, respectively. Then Benedetto jazz
guitar pickups and finally the union of Seymour Duncan and
Rick Turner to from D-TAR, Duncan-Turner Acoustic Research.
The Seymour Duncan
Story
Seymour W. Duncan
is a guitarist and guitar repairman, but is perhaps best known
as the man behind Seymour Duncan Pickups, the world's leading
manufacturer of guitar and bass pickups located in Santa Barbara,
California. A good portion of Seymour's life has been devoted
to studying, and helping to create some of the world's most
identifiable guitar tones.
Born in New Jersey,
Seymour grew up in the fifties and sixties, during a time
when electric guitar music grew into greater acceptance. Seymour's
teenage passion was focused upon guitars by a great uncle
who introduced him to the music and legend of Charlie Christian,
Chet Atkins and Les Paul.
Seymour quickly
progressed from strumming in his bedroom to jamming in packed
clubs where his talent was unquestionable (unlike the fake
I.D. he used to get inside for his gigs). One night during
a session, his Telecaster's lead pickup broke, and he was
forced to play the rest of the night on the rhythm pickup.
Necessity being the mother of invention, Seymour rewound that
lead pickup on a record player spinning at 33 1/3 rpm.
While he developed
his playing skills, Seymour's knowledge of how guitars work
developed at an equally prodigious pace. Seymour took every
chance he had to talk with players about guitars, tone and
electronics. After spending time with musicians such as Les
Paul and Roy Buchanan, Seymour realized that it was his guitar,
and not his playing, that prevented him from producing those
wonderful tones that defined great players. Suddenly, and
forever, Seymour was hooked on the dynamics and character
differences of pickups.
As Seymour tinkered
devotedly with materials and techniques, his bag of tricks
grew and grew. At Les Paul's suggestion, he bolted for England
in the late '60s where his intention to play soon mixed with
the opportunity to further his pickup research working in
the Repair and R&D Departments at the Fender Soundhouse
in London. It was here that he did repairs and rewinds for
such artists as Jimmy Page, George Harrison, Eric Clapton,
Pete Townshend, Jimi Hendrix, Peter Frampton, and Seymour's
guitar hero, Jeff Beck. It was through his work with Beck
in particular, that Seymour honed his pickup winding skills
-- some of Seymour's first signature pickup tones appear on
JeffÃs early solo albums. Seymour's sabbatical in England
resulted in a flock of new fans and friends.
Seymour came back
to the United States, and eventually settled in California.
He established contact with industry luminaries such as Leo
Fender, Les Paul, and Seth Lover (inventor of the humbucker
pickup) and continued learning about and making pickups. Demand
for his custom pickups grew and, in late 1978, together with
Cathy Carter Duncan, he started his own company, Seymour Duncan
Pickups. Today Seymour and Cathy are surrounded by 60 employees
whose dedication results in the continual refinement of pickup
tone and technology.
Seymour's latest
venture is the Antiquity and Antiquity II Series of hand wound
and aged pickups which produce the genuine sound and vibe
of pickups made in the '50s and '60s. Seymour's dedication
to music has always been focused on helping musicians achieve
the tone that sets them apart. His regular appearance at clinics
and conventions is part of this on-going commitment to helping
players learn and capture the special tone that expresses
their inspiration. Seymour has made pickups for most of today's
most discerning and diverse players from Aerosmith to ZZ Top
and all points in between.
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Seymour Duncan guitar pickups
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